"Bad Sheep" by Katja Lange-Müller

Katja Lange-Müller

Simon Pare

Seagull Books, 2025

"Bad Sheep" by Katja Lange-Müller

A touching and sensitively told tale of love and loss that unfolds in a divided Berlin in the 1980s.

Against the backdrop of West Berlin in 1987, meet Soja—a skilled typesetter, a refugee from East Germany, and a temporary florist with a generous heart. Her life takes an unexpected turn when she crosses paths with Harry—a tall, free-spirited individual with a quietly determined demeanour, haunted by a complex past and an uncertain future. Their encounter sets in motion a fateful connection that leaves a lasting mark on Soja’s life.

The remnants of their story are encapsulated in a school notebook, containing precisely eighty-nine undated entries where Harry chronicled his thoughts during their time together. However, conspicuous by its absence in the narrative is Soja herself. Years later, driven by the need to tell their tale and fill the void left by Harry, she embarks on a poignant journey of remembrance.

As Soja revisits the man who both impressed her with determination and disconcerted her with a mysterious gift, she finds herself captivated by his childlike essence. Despite Harry’s troubled history—ten years in prison, probation violations due to discontinued drug therapy, and the looming threat of immediate imprisonment—Soja remains resolute in her passion for him.

Katja Lange-Müller, an acclaimed storyteller, skilfully draws readers into the heart of this novel. With sensitivity, humour, and melancholy, she unfolds the narrative of an unhappy love story that transforms into the greatest happiness in life. Along the way, Lange-Müller paints an atmospherically dense portrait of the divided and stagnant Berlin of the 1980s, creating a captivating and emotionally charged reading experience.


Reviews

"Bad Sheep" was short-listed for the German Book Prize in 2007. It is now making its way in English thanks to the eloquent advocacy of Simon Pare, who has also translated Lange-Müller’s more recent "Revolving Door". Bad Sheep is a short work with the resonance of an Edward Hopper painting. It lives on in the mind; scenes re-order themselves long after the book is finished. [...] The West Berlin that provided the setting for their story is another absence in Soya’s present. Its geography and mood live on in the memories that she replays, like a film, in her head. [...] It is also evoked in the language, a challenge to which translator Simon Pare rises with a light touch: as soon as Harry speaks, Soya recognises the vocabulary of a West Berliner. —Sarah Escritt, European Literature Review, March 2026